Aside from said
overlaps between Kafka’s life and his short stories, it can be argued that the
inspiration for The Trial began long
before its creation. Kafka’s family lived in a German speaking part of Prague, a
country which, at the time, predominantly spoke Czech. Because if this alone,
his family faced isolation and discrimination. In the year 1897, year and a
half after his bar-mitzvah, Kafka and his family lived through anti-Semitic
riots in Prague. The riots lasted for three days and became known as the
“December Storm”. The Czech speaking citizens were protesting against new
language laws being formed to accommodate the German-speaking Jewish population
of Prague. Much like Josef K., the German-Jews of Prague were being persecuted for
an offense they did not know they committed.
To make a more obvious connection, it seems as though Kafka
had a pre-existing fascination with the law and the judicial system. In 1901,
Kafka enrolled in the German University in Prague. There, he studied chemistry
for two weeks before moving on to law. In the year 1906, he applied his studies
and became a clerk in his uncle’s law office. In June of that same year, Kafka
received his Doctor of Law degree. He then begins his legal practice in the landesgericht, provincial high court, and
strafgericht, criminal court. It is
more than likely that Kafka encountered certain events in his time in both
courts that inspired his writing of The
Trial. After working the landesgericht and strafgericht, Kafka went to work
at The Institute, a government agency that dealt with workmen’s compensation
laws in Prague. Like Josef K., Kafka worked in a high position at the company.
His superiors valued him and trusted him with many assignments. Kafka’s work
within the Bohemian bureaucracy is said to have inspired his work with The Trial. This assumption seems likely
to be true. Bureaucracy, mainly its shortcomings and failure to actually get
anything done, is a major part of The
Trial. Josef K. struggles to make it through a sea of “red tape” that inhibits
him throughout the entire story from finding out what he is being accused of
and how he can clear his name. Every time K. attempts to understand the court
system and begin working towards asserting his innocence, some sort of obstacle
presents itself. This is to the point where K. has to leave the law office
because the air circulating inside of it has become heavy and unbreathable. Apart
from this, it seems as though the only people who actually know how the
judicial system works in K’s society are the people working within it. When K.
goes to meet the painter named Titorelli, many of his “solutions” are just ways
to prolong his trial further and further so that he is never sentenced to
anything.
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